Принципи впровадження концепції та практики Лу Сіня щодо залучення іноземного мистецтва
Автори:
Ґохуей Чень
Ґохуей Чень, доктор філософії (1979-), є доцентом Гуанчжоуської академії образотворчого мистецтва, Китай. Протягом 25 років він займається переважно дослідженнями візуальної культури, історією та теорією мистецтва, опублікував 6 монографій, майже 40 наукових статей, а також працює науковим керівником докторантів з візуальної культури в Міському університеті Макао.
ISBN: 978-617-95395-7-2
ISBN: 978-617-95395-7-2 (eBook)
DOI:
Видавець ТОВ "Наукові журнали"
Опубліковано – грудень 2025 р
Мова – Англійська
Кількість сторінок – 192 сторінок
Права: Ця робота поширюється на умовах ліцензії Creative Commons Attribution 4.0 International License
Ця монографія досліджує концепцію Лу Сіня «принципів інкорпорації», аналізуючи його підхід до інтеграції іноземного мистецтва в китайську культуру. Вона підкреслює, що його підтримка іноземного мистецтва була не лише теоретичною, а й активно практикувалась під час Руху нової культури, формуючи сучасне китайське мистецтво. Дослідження заглиблюється в мотивацію зусиль Лу Сіня, методи, які він застосовував, та конкретні форми іноземного мистецтва, які він запровадив. Також досліджується його мистецтвознавча діяльність, зосереджуючись на тому, як вона відображала його філософію «інтеграції». У статті розглядаються такі ключові теми, як розвиток доктрини інтеграції Лу Сіня, його підтримка молодіжного руху деревориту та культурний вплив його творчості. Досліджуються ідеологічні зрушення та зміни в китайському мистецтві в результаті іноземного впливу, висвітлюючи складнощі формування сучасного китайського мистецтва. Аналізуючи листування Лу Сіня, передмови та праці з теорії мистецтва, це дослідження надає цінну інформацію про історичний процес інтеграції іноземного мистецтва в культурну структуру Китаю. Воно має на меті надати глибше розуміння трансформаційної ролі, яку Лу Сінь відіграв у формуванні траєкторії розвитку китайського сучасного мистецтва, зробивши значний внесок у культурне просвітництво та художній розвиток.
Всі права захищені.
Ця книга або її частини не можуть бути відтворені в будь-якій формі і будь-якими засобами, електронними або механічними, включаючи фотокопіювання, запис або будь-яку систему зберігання і пошуку інформації, відому на даний момент або ту, що буде винайдена, без письмового дозволу автора.
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